Tuesday, 13 December 2011

A big hand for the drama queens!


Dame Helen Mirren with co-host Rosario Dawson at the Nobel Peace Prize concert in Oslo

I promised a follow-up on my first report on the recent CIC Diversity Panel Seminar looking at how to increase the number of women on company boards. Entitled Constructive Women (nice title!!) and led by the redoubtable duo of structural engineer Jane Wernick and architect Angela Brady, current President of the RIBA, the event included a workshop facilitated by a 'thought leader in executive and top talent development.'

It quickly became apparent that this thought leader was not going to attract many followers. The audience restiveness quickly began with her remarks dismissing women non-executives directors as the “usual ten individuals who do very little except drink champagne”, followed by the suggestion to move on from promoting gender diversity – old hat and counter-productive apparently. However tension came to the boil with her advice that women aspiring to get on the board should not behave like  ‘drama queens.’

Delegate after delegate rose to express their anger at both the arguments and the tone of voice. But as one organizer gamely commented, “How refreshing to get a real debate, rather than a chorus of consensus.”  Relative calm was restored and a number of practical actions were discussed in small groups. Congratulations to Jane and Angela for driving the agenda.

The phrase ‘drama queens’ came back loud and clear this week, however, in a decidedly positive way. Hosting the Nobel Peace Prize concert in Oslo, Norway on Sunday 10 December, Dame Helen Mirren saw an opportunity and seized it. She combined her admiration and congratulation for the three women winners with the comment that it is shameful that only 12 women have won the Nobel Peace Prize in 112 years. 

Three extraordinary women, changing the world.

The three women honoured for their work are Liberian President Ellen Johnson Sirleaf, Liberian women's rights activist Leymah Gbowee, and democracy activist Tawakkul Karman, from Yemen. Commenting how important women historically have always been, specifically in terms of peace,  Dame Helen described them as the role models for young women, adding, ''It is only a step on a journey that women are taking, and hopefully in 20-30 years' time we will be looking at a very different scenario in the world.”

Meryl Streep - Vogue's oldest cover girl
Two days later and the extraordinary actress Meryl Streep is talking on Radio 4 about her latest role as Margaret Thatcher, in The Iron Lady. Filming began with her portraying  Thatcher's early days in Parliament as Education Secretary, and Streep describes the sensation of walking into Parliament as a woman at that time as walking into a bath of fire. She goes on to say how she began to appreciate what it takes to be a leader, “what it takes to stand up to that level of distain, hatred and contempt every day, unrelentingly, and then get things done.”

Later in the interview, Streep talks about her support for the construction of a National Women's History Museum, in Washington DC, a proposal that is taking Congress for ever to endorse, despite the fact that it is being entirely privately funded. She has just given her salary from The Iron Lady to the cause and recently gathered a crowd of ground breakers for a photo opportunity. Amongst them was Madeline Albright, (the first woman Secretary of State in the US) who told her that she didn’t agree wih any of Margaret Thatcher’s policies, but “she was the only one who stood up with us in Bosnia and I’ll never forget it. I know what it’s like to be the first.”

In my first report on the CIC Diversity Panel seminar, I make the point that construction and engineering needed to recognize the influence of women as clients – ie the providers of business and revenue. Streep makes a similar point. Asked whether things are getting better for older actresses, she says that it is, commenting that there are more women in “the decision-making echelons of our business, the financial end who are in a position to green light pictures. We have infiltrated the enemy ranks!”

So if behaving like a drama queen means using position, authority and articulacy to make change for other women, I am all for it. As Dame Helen says, ''In my personal experience, wherever there was a force for the positive, for creativity, it was almost always led by women and they are doing it with no recognition and under very difficult circumstances. It is so important for all of us to realise that these movements start in very, very small ways.'' 

A standing ovation please, or at least three loud cheers for these leading ladies.

Supplementary trivia:
Helen Mirren and I were contemporaries in the same Essex town. She went to St Bernard's Convent, which my mother rejected when we found ourselves just one road out of the catchment area for our first choice of Westcliff High School.  "Convent girls tend to go off the rails," she declared, so I cycled four miles each way every day to Southend High School instead. 
I turned down a job at Vogue, many years ago when working as a fashion journalist. In those days, the job itself was considered to be sufficient reward and most youung women working there were assumed to have private incomes. It was the economy stupid, (I needed to pay the rent) so I missed my Devil wears Prada moment. Clearly not a sufficiently dedicated follower of fashion, I returned to the field that really excites me, construction and engineering.

Sunday, 11 December 2011

Who's that girl/woman/captain of industry......


There we were, listening to the head of one of the most successful engineering companies in the world declaring his support for promoting women on to boards. The event was a seminar organised by the Diversity Group of the Construction Industry Council in conjunction with Architects for Change. All rather encouraging, until the moment that reminded me, yet again, that construction and engineering lives in its own strange bubble. Brandishing a recent copy of the Financial Times women in business supplement, he asked the assembled audience if anyone recognized the woman on the cover - before declaring that he himself did not know who she was.

The woman in question was Irene Rosenfeld, Chief Executive of Kraft, who has attracted fury in the UK with her handling of the acquisition of Cadbury last year. Admittedly she doesn’t visit the UK often – in fact refusing to attend a Select Committee inquiry into the take-over in May this year– but even so her face has been  splashed over the business pages for weeks.  The controversy continues with her recent decision to split Kraft into two companies. And Allan Cooke, Chairman of Atkins, didn’t know her?

It reminded me of the day I put a series of women’s faces on the screen at a workshop at Simons Group, asking the assembled directors and staff if they recognized them.  And they didn’t – not even some of the women who held senior roles in companies who gave them business or who were influential in the world of property and retail. This inspired me to set up a mentoring programme with senior women from clients with high potential women from Simons – not only did the individual women benefit, but the profile of all them was raised.

This  incident  confirms my long held belief that people working in construction and engineering have huge difficulty recognizing not only the women working in their own industry but also in the rest of business world. If the woman who earns more than £11 million a year running a global company is invisible,  what hope is there for lesser female mortals in our industry who aspire to get on a board?

More on the CIC Diversity seminar later......

Tuesday, 29 November 2011

Fanfare for the uncommon man - and woman


The award-winning Imperial College Big Band:  engineers, scientists and medical students,  making  music around the world
The other morning,  switching from Radio 4 to Radio 3 – a habit usually triggered by the sports reports - I hear a charming interview with a retired civil engineer. He recounts how he decided to learn to play a musical instrument at the same time as embarking on his degree course and in a relatively short space of time became sufficiently proficient to play with the university orchestra. He then discovered that as his career took him to projects around the country and then further afield, he could quickly find new friends in new places by joining the local music-making scene.  He travelled the world with his trumpet, which seems to have become a universal social passport giving added pleasure to his construction career.

Captivating - Heatherwick Studio's giant dandelion housing the British Pavilion at the Shanghai 2010 Expo
A few days later I am in the Great Hall of the Royal Institute of British Architects to hear the Annual Lecture delivered by the designer Thomas Heatherwick who creates extraordinary structures such as the Seed Cathedral for the British pavilion at the Shanghai 2010 Expo. The range and creativity of his work, from handbags to monumental sculpture, from glass bridges to the new Routemaster bus, has led to him being labeled a modern Renaissance man. At dinner afterwards, I am seated next to Heatherwick senior, who was a music teacher for many years and tells me that his son Thomas was a more than competent musician – playing the trumpet.

Last Friday evening is spent just a few minutes from home, in St Johns Smith Square, the wonderful Baroque church built for Queen Anne in 1728 and which has become one of London’s favourite concert halls. The players of the resident London Chamber Orchestra not only make music of wonderful quality but also deliver it with such a joie de vivre  that their concerts sell out fast.  Conducted by the exuberant Christopher Warren-Green, tonight’s attraction is the outstanding trumpeter Alison Balsom, who started her career with the LCO and has become an international star.

Alison Balsom, taking the classical trumpet to new heights and new audiences

As the glorious golden notes of the trumpet soar upwards, I think of the recurring theme of this joyous instrument and the power it evokes. From tumbling those walls of Jericho to helping an engineer finding new friends far from home, from a designer challenging the norm in buildings to a young woman triumphing in a world dominated so long by male giants such as Crispian Steele-Perkins and Håkan Hardenberger.

Above all, trumpet music lifts the spirits. As the Reverend Sydney Smith, the great 18th-century wit and raconteur, is said to have declared,  his idea of heaven was 'eating paté de foie gras to the sound of trumpets.'

 

Thursday, 29 September 2011

Towering genius

Coffee time in San Giuliano Termi

Back in Tuscany a year after the visit that laid me low (see Discovering a dynamic Duchess) and we are catching up with lost opportunities. So on a hot and sunny Saturday we decide to go to the place that any engineer and self-respecting lover of fine buildings must go when in northern Tuscany. We are off to Pisa, the place where an extraordinary structure has defied expectation and gravity to remain vertical (but not perpendicular) for more than 800 years.    

We take the scenic route via San Giuliano Termi rather than the autostrada. This turns out to be a treat. San Guiliano Termi is a charming sun-kissed, tree-filled place high in the hills above Pisa, with that particular air of elegance and calm that typifies spa towns from Leamington to Vichy, Cheltenham to Baden Baden. The little square has a view of the ornate facade of the main spa, and a traditional bar serving excellent coffee and light, sweet pastries.    

Cool marble and golden roof
The magnificent bronze doors of the Duomo
On the road again, and as the temperature rises to 33 degrees we twist and turn steeply down to the plain of the Arno. By good fortune we find a parking space just a short walk from a gateway through Pisa's high and ancient walls. By even greater fortune, the gate turns out to be the closest point of entry for the area known, quite rightly, as the Campo dei Miracoli (the Field of Miracles). 

The Duomo, a glorious cathedral filled with light and space. The Baptistry with its magical acoustic, the Cemetery with its simple windowless walls stretching the length of the square.

The tower bows to the Duomo
The Leaning Tower is there, in all its breathless, idiosyncratic splendour, amongst a group of extraordinary buildings which rise in cool, confident beauty above the souvenir shops, tourists jostling for the perfect photograph, students clutching MacDonalds bags and squawking into mobile phones.  And how heartening to know that it is a calm, self-effacing, British engineer who has succeeded in stabilising the tower, which has been challenging great minds since beginning to lean shortly after construction began in 1173.  

Professor John Burland, of Imperial College London, was the man who convinced a multi-disciplinary committee, set up by the Italian Prime Minister in 1990, that soil extraction was the solution. (The only other non-Italian on the 14 strong committee was an American who died of a heart attack in 1996, believed to have been largely caused by the stress of the Pisa challenge.)   

The need to resolve the situation became acute in 1995 when despite various attempts, including tensioned cables and lead weights, did not prevent the lean becoming a lurch and the world thought that the tower was on the brink of collapse. 

Similar to microsurgery, Professor Burland's proposal entailed drilling out slivers of soil, using using delicate, Archimedes-screw drills from beneath the northern side of the tower - away from the lean - and allowing gravity to coax the structure upright. It had the advantage of not touching the tower itself, thus keeping art historians happy. 

Even when the Burland proposal was adopted, it was not until 1999 that work began. Twice a day, for the next two years, details of the movement of the tower and the surrounding earth were sent to Professor Burland, wherever he happened to be in the world, for him to calculate how much soil was to be removed over the next 12 hour period. In total 70 tonnes were removed and in 2001, to joy and relief of all, the Leaning Tower was not only re-opened to the public after ten years, but was also declared stable for at least the next 300 years. 

Not content to rest on his laurels, Professor Burland then set about identifying why the tower was leaning and discovered that there was significant difference in the water table between the ground to the north and to the south. This provided the information necessary to manage and drain the soil appropriately to create a more stable foundation. A miracle of engineering to save a wonder of the world.     

All photographs by Sandi

Friday, 17 June 2011

Sugar and spice and all things nice?

There I was at the 5th anniversary celebration of Women2Win, hearing how many women in banking, law and finance are being encouraged and supported to become Conservative MPs. The debate was brought to a close before I could leap to my feet to highlight the omission of women in engineering and construction from the pool of professional potential. However, I was able to have a chat with the guest speaker, Home Secretary the Rt Honourable Theresa May MP, who was quick to agree and enthusiastically recalled engineer Michelle McDowell's success in winning Veuve Cliquot Businesswoman of the Year just a few weeks earlier.

Little did I know that whilst we were discussing the skills of women engineers in politics and enterprise, Lord Sugar was firing aspiring apprentice Glen Ward, telling him (and 7m television viewers), “I have never yet come across an engineer who can turn his hands to business.”

The outcry over this astonishingly crass statement was immediate, with example after example of successful engineers flooding the internet. But unrepentant Lord Sugar simply dismisses them out of hand, for example describing James Dyson as an inventor and declaring that he doubted whether Bill Gates would describe himself as an engineer. All this from a man who progressed from running a market stall to making computers before focusing on property development to build his wealth. But remind me, what did happen to Amstrad – or is that his point?

On an upbeat note, Halcrow principal engineer Julie Hunt was one of several women engineers quoted by New Civil Engineer magazine this week. She said: “Lord Sugar’s comment on prime time TV could do considerable damage to the profile of engineering professions.

“However, as they say, there is no such thing a bad publicity − so let’s make the most of it, as did Wales after Anne Robinson’s outburst.”

Well said Julie. Move over sweetness and let's spread a little light.


Photograph of Lord Sugar from The Sun newspaper.




Thursday, 10 March 2011

Pulling up the drawbridge - or the Queen Bee syndrome


In the past week we have heard three women at the top giving their reasons for rejecting quotas as a way of getting more women up there alongside them. Firstly Christina Odone in The Telegraph recounted in hushed, respectful tones about how carefully she prepared for her recent board meeting - no bright colours, sensible heels etc etc - and comfort of knowing that she was there purely on her merits. She would feel so undermined, she went on, if there was any suggestion that she had been appointed simply as part of a quota.

Lucy Kellaway took up the issue in the Financial Times, in her characteristic mix of airiness and acidity, recounting what fun it was to be a non exec director, especially as there was a fellow woman on the board to enjoy chats with in the loo. But she doesn't feel that companies should employ 'vaguely plausible' women non execs just to fill a quota and support the development of women in the organisation.

Then Helen Alexander of the CBI debated strongly against the quota proposals - again on the basis of merit - at a debate to launch this year's First Women Awards.

Why do these women fall into the trap - as do many men- of assuming that a quota system will simply result in the appointment of inadequate women? Do they really believe that being forced to find women will fail to identify any good ones?

It is difficult to resist the thought that those women who have cracked the system and reached board level (whether through merit, connections or simply a profile gained from writing amusing articles in a national newspaper) are quite happy to sustain this exclusive enclave.

It was reassuring not to be alone with my misgivings. My letter in response to Lucy Kellaway was published in the FT on Wednesday 2 March, along with two others critical of her stance. As Sarah Bond, of KPMG commented in her response, "There is nothing more profoundly disappointing than hearing a senior woman arguing that gender equality is not an issue, and little that lets boards off the hook quite so effectively. "

The text of the letters can be found at http://www.ft.com/cms/s/0/f9d0d8da-4451-11e0-931d-00144feab49a.html#axzz1GC3UfVw7

Picture: Vincent van Gogh, Drawbridge with a Lady with a Parasol

Friday, 12 November 2010

The great Trans American train journey


A 5,000 mile, ten state, 4 day journey from Salt Lake City to Washington DC.

An unexpected visit to Salt Lake City results in an interesting challenge: how to travel to Washington DC without taking to the air and with the opportunity for gentle exercise. The conclusion was to take the train. The first leg will be 37 hours, from for Salt Lake City to Chicago, via the California Zephyr. Then an overnight stay in Chicago, leaving the next evening for the 17 hour journey from Chicago to Washington DC, via the Capitol Line. We book tickets and superliner sleeper cabins, viewing the trip not as a reluctant alternative to air travel, but as a great opportunity to see the country from (almost) coast to coast.

The journey (day 1)

Wednesday 3 November

Leaving Salt Lake City, Utah

The hotel bill is settled, bags are packed and reliable and kindly Jimmy the taxi driver arrives at 3.30am and we are good to go. The train eases majestically out of Salt Lake City at 04.10 am andwe travel up into the mountains, temperature dropping and ears popping. Wake at one halt to see snow around us, but can't see, only feel, the Gilluly loops, a series of switchbacks on the line which in early days of the railroad required helper trains to push the locomotives. Not a very comfortable start, and it is strange getting into bed right away on a train with all the clanking and creaking. But Bob the cabin steward is proving a star, bringing us breakfast to the cabin, then putting up the bunks and stowing our kit.

The scenery is quite extraordinary. As we move further from Salt Lake City, the incredibly barren rocks and strange rectangular peaks with extraordinary profiles in ochre, brown and pink soften and become greener. See a desert hare bounding across the boulders and a large bird (eagle I think) soaring over a small water pool, then a deer. What guts and determination to cut a railroad through this wilderness.

As the train gets closer to Grand Junction, Colorado, there are more and more signs of civilisation. Firstly a road, then pick-up trucks and mining depots of some sort, then a car, then a shack. The scrubby bush clinging to the serrated rocks gives way to lusher growth and trees glowing brilliant golden yellow in the morning sun.

Grand Junction, Colorado

Our first significant town. And the train sounds its hooter just like in the films and the tumbleweed is lying like rolls of barbed wire along the trackside."You folks take vantage of our half hour stop and get some fresh air," says the intercom. We go down the stairs from the second level and step out into the sunshine. An elderly Amish Gentleman with long snowy beard and black hat walks past us down the platform, with his neat little wife in a white bonnet. Followed by Biker Guy in denim and leather, triple earrings, nose studs and chains, with a Mildly Goth girlfriend.

"There's a great little store just along the platform," says Bob and sure 'nuff there is, so I pick up a couple of fun things for the grandchildren and a piece of petrified wood and take some photographs. "When we get to Denver, I'll get y'all pizza," says Bob to some of us from coach 32, enjoying a last stretch before climbing aboard and starting the next leg. Discovery of the morning is that we can 'tether' our laptop computers to the 3G signal on our iphone in order to send and receive emails.

Leaving Grand Junction

The scenery changes. Still the towering peaks, some capped with snow, and in the distance, the soft blue bulk of the Grand Mesa, one of the world's largest flat top mountains. Closer to hand, lines of vines glowing purple and vigorous peach trees in neat serried rows. Horses graze in paddocks, (and mustangs on the plains apparently), cattle are in the meadows and houses have white picket fences. On our right, flows the Grand River.

Further out of town, various mining and excavation sites appear, pick-up trucks bustle busily and large, beautiful, shiny American trucks cruise the highways - didn't see Dennis Weaver yet nor his scary invisible counterpart from Duel. We pass through New Castle, named after Newcastle UK, with its mines yielding high levels of soft coal and methane. Worryingly, explosions over the years have resulted in a fire that still burns - allegedly not harmful to the community but contributing significantly to world carbon dioxide emissions.

Glenwood Springs

Here the wealth generated by recreation rather than agriculture or industry is apparent. Six world class ski resorts, white water rafting, cycling - and the station is smart red brick picture postcard, signs to attractive hotels, the confluence of the Roaring Fork and Colorado Rivers looking as if it has been designer landscaped - and no sign of tumbleweed. But the most significant thing about Glenwood Springs is that it is where Doc Holliday spent the last few months of his life, after sorting out the Gunfight at the OK Corral. After a two minute stop to pick up a couple more passengers, the California Zephyr sets off again, with the conductor announcing that lunch is being served.

Cary Grant is not in evidence in the dining car, sadly, and we are shown to a table occupied by the Mildly Goth young woman seen on the platform at Grand Junction. Her place of origin, Brooklyn, is proudly tattooed on her left shoulder. Around her neck on a tight chain is a bronze spanner. Her black hair shimmers with purple and maroon highlights and around her hips is a belt composed of bottletops. Within a few minutes we are engaged in good conversation. She is a metal sculptor and jewellery maker - the second I have met this year. As petite as Elsa highly regarded sculptor I met in Cape Town in February, and as passionate. "I just love the smell of hot metal," said Evelyn. She boarded the train in San Francisco with her boyfriend, also a sculptor who hates flying (and who I now rename to Heavy Metal), and is on her way to New York to visit her father and friends.

Lunch is a tasty meal of spicy beef stew, white and wild rice and a small salad on the side, served by smiling uniformed staff with proper cutlery and glassware. "See you later for dinner, "said Jasmine the pretty waitress as we move forward to the observation car with the glass roof to watch the wonderful views rolling past, the sheer crags of the canyon on our left and on our right the green waters of the Colorado River edged with the glowing red stems of dogwood trees, golden rushes and deep dusty green of pine trees and the occasional settlement of houses.

Great excitement as we see three eagles fishing in the river. Shortly after, human fishermen in twin hulled inflatables come into view. The conductor announces that there will be three real good canyons coming up before we get to Granby. When I first heard this announcement, I thought the conductor said 'Brandy' – must have been the effect of spending ten days in the dry State of Utah.

The train emerges from the sheer Gore canyon, where we see intrepid kayakers braving rapids that are supposed to be some of the fiercest in the US - and soberingly an empty canoe wedged between boulders in a raging torrent. Then the green river stops hurling itself into white fury over banded granite rocks and slows its pace, meandering through sunlit meadows and rolling open plains. Golden ziggurats of hay bales (no blue plastic here), black cattle grazing contentedly on a beneficent head per acre ratio. Ducks pootle around in weedy backwaters, shacks and trailers appear, huge Dutch barns, fresh timber farmhouses, Wichita linesman power poles. And still in the distance snow covered peaks of majestic mountains. The train sounds its Chattanooga Choo Choo horn.

Granby, Colorado

Granby is a small town, very neat with municipal playground and several little lakes. A two minute stop here, with one person boarding and nobody getting off. The train starts climbing, and snow is no longer a distant frosting on mountains but is clustered thick alongside the tracks and in shady parts of the meadows. The river has changed from agate green to almost black. The dusty sage green brush and skeletal trees have now become a mix of dark green pine and lighter aspen. Above us, the sun occasionally illuminates the granite rocks into warm gold blushed with rose. Then the canyon closes in, rocky cliff just feet from the window on one side, the river and tree sprinkled scrub on the other. More snow, with occasional shafts of sun softening the gloomy rock to velvet.

Stop for a five minute break in Fraser, known as the Icebox of America where temperatures can drop to minus 50, and the home of the Winter Park ski resort. Then back on board to make the most of cellphone reception before going into the Moffat Tunnel, one of the longest railway tunnels in the world. It is 6.2 miles long, and rises to 9,250 ft.

The Moffatt Tunnel was built in 1928, cutting the distance between Denver and the Pacific coast by 176 miles and reducing the train time by six hours, cutting out the switchback tracks over the Rollins Pass - treacherous in the winter. The conductor tells us all not to move between the cars of the train whilst we pass through the tunnel (10 - 12 minutes) to avoid allowing diesel fumes inside. Decided to focus on writing this and manage not to succumb to claustrophobia.

Into the woods

The pines grow tall and dense, cloaking the steep valleys in deep green. The rock here has changed, it is pinkish granite, jagged and fissured. We switch back and forth over the Fraser River, Then the river swirls away from us forming oxbow bends around glowing buttresses of rock, all softened with trees. We spot a dam creating the Gross reservoir that provides Denver with its water. Not a very big one, but nevertheless reminiscent of vivid scenes from Chinatown and The Fugitive.

Then the train passes through 28 tunnels as it begins the descent towards Denver. Down and down, the snow disappears and suddenly we are looking over a vast plain, stretching flat and smooth as far as the eye can see. We are still so high that we are looking down on Denver, the mile high city. Wind turbines slowly turn, cattle graze, large areas of placid water reflect the sky, the landscape is covered in tussocky grass dried to creamy caramel by the summer sun. Pretty grey deer with white markings and absurdly long eyelashes stare calmly as we pass.

Denver, Colorado

Down, down, down and then we are trundling past housing estates, commercial areas, industrial depots, trailer parks, highway intersections. The conductor announces that the train will be backing into a siding and re-orientating before getting into Denver Station and all passengers should stay in their seats until this operation is concluded. Eventually the California Zephyr sidles into its allotted platform. This is an hour long stop, for taking on water, ice, fresh food and a fair number of new passengers. Someone works down the train washing the windows.

We decide to stretch our legs and walk down the platform to the station hall, which is a typical American marble, echoing, high ceilinged art deco hymn to the iron horse. The high backed maple seats fill the space like pews in a church. More cinematic resonance, but no sign of Kelly McGinnis in Amish bonnet sitting demurely with her son (Witness) - let alone dodgy gunmen, thank goodness.

Dinner in the dining car, where we are greeted by Evelyn the Mild Goth and her Heavy Metal boyfriend and the woman from San Francisco with friends in Beverley in Yorkshire to whom I chatted on the platform at Grand Junction. A couple who boarded in Denver also engage us in conversation. He is a geology professor who has been attending a conference in Denver - the second geology professor I have met this week. The first was a fellow guest of Frank Joklik, Honorary British Consul in Salt Lake City and his wife Pam, who felt that an evening listening to the Utah Symphony play Beethoven and Shostakovic was just what I would enjoy - they were right.

We return to the cabin for a game of Scrabble. Bob knocks on the cabin door to find out when we would like him to set up our bunks and tuck us in - reminding us that there is a time change when we cross another state line in the small hours.

The journey (day 2)

Thursday 4 November

Limbo

Just before we turn in, we hear that the detour we were told about by telephone just before leaving Salt Lake City is not going to make a quicker journey after all, but might delay us by four hours! Vindicates our early decision to stay a night in Chicago rather than risk a stressful missed connection for the Washington leg of the journey. The silver lining however is that it might be a smoother ride, as we will be avoiding much of particularly poor Iowa track. So we will be heading up north and then going east once we leave Omaha, the next major stopping point.

Wake in the small hours conscious of silence. The train is at rest somewhere, but no indication of where. No station signs, no sign of life. Then a moving light appears and a chap with a miner's light helmet carrying a long hose fills the train with something - presumably water. I think we must be in Omaha and reset my telephone to Nebraska time. After an hour, the train eases forward and then picks up speed.

Omaha, Nebraska

Then at 5.00 we really do get to Omaha (discover later that the earlier stop was Lincoln) where we wait in the darkness for an hour whilst people embark and disembark - including those poor souls who will have to take a bus to the destinations they should have reached if the train had not been re-routed. Wonder if Warren Buffet is awake too, figuring out his next clever move. Probably not.

Decide to get up at 7.30 (or 6.30 in Utah time) to get my recently broken right wrist and arm moving and to find out what's going on. Find that our cabin door is stuck. We had had a problem earlier when the privacy curtain rail - a heavy chunk of steel - inexplicably crashed down narrowly missing me on the first morning. Declined a move to the next car then, on the basis that we had invested in Bob, who was doing a great job looking after us and didn't want to start a relationship with another cabin steward. So he had McGivered a folded sheet with duck tape to create a privacy curtain on the corridor window. But a stuck door (which we all agree is related to the earlier mechanical failure) is a more difficult issue. Retreat to the dining car for breakfast, leaving Bob to find ways of resolving it.

The sky turns a rosy glow as the sun rises and I am joined at the breakfast table by Dale, a retired air force chap who is travelling with his wife (still asleep, lucky woman) to visit their daughter near Chicago. He has fond memories of being stationed at Edinburgh in the 60s, returning with his wife and daughters 20 years later to watch the Tattoo. Five minutes later learn that Bob has admitted defeat with the door and is moving all our belongings for us into a cabin two along - which is far more spacious. Another silver lining!

After coffee and freshly scrambled eggs, we move forward to the observation car. The scenery is a great contrast to yesterday's grandeur. This is the flat, rolling Nebraska bread basket land of wheat and corn fields stretching for miles. Pretty little homes sparkling in the crisp sunshine, field after field of stubble, corn stalks and mown hay. A wind farm hoves into view, an array of a dozen turbines turning slowly against a clear pale blue sky. Then a little further down the track, an even bigger array, then a cement works followed by the first of many huge grain silos. These are the highest visual markers in the landscape, quite a change from the looming majestic mountains of the day before.

Boone, not Burlington, Iowa

After an encouragingly spanking pace through this tranquil countryside, the train slows to a stop. Eventually it starts again but never exceeds walking pace. Stuck behind a slow moving freight train we crawl towards a town called Boone. Realise our part of the observation car has become a magnet for trainspotters and retired railroad engineers, drawn by a railroad worker who has been displaying his knowledge of the re-route, loudly, to all and sundry. Decide that the collective noun for train enthusiasts is a junction.

Much discussion about which bridge replacement is causing the detour, the bloodymindedness of the Iowa train crews, the unreasonable stranglehold of freight companies and the distinguishing features of various locomotives. The reason for the re-routing becomes clearer. The rail bridge at Burlington (which is being re-built) has been closed because of damage to one of its spans, so we are being re-routed via the new rail bridge over the Des Moines River at Boone.

I then overhear mention of the Kate Shelley bridge, which is the original rail bridge at Boone and one of the highest double track rail bridges in the USA. Completed in 1901, it is named in honour of Kate Shelley, who as a 15 year-old in 1881 alerted Chicago and North Western Railroad officials to a bridge collapse in time to stop a passenger train from crossing the damaged structure.

Then one of the train enthusiasts decides to plot the route as if travelling by car, switching on his Tom Tom and regaling us all with instructions to turn left at the crossroads and the news that if we were driving we'd be in Chicago real soon. Decide to retreat back to the cabin.

We continue our genteel pace and eventually make our way over the water. Apparently some time soon, two trains at a time will be able to hurtle across these bridges at 70 miles an hour, but until then, only one train can cross, at 25 miles per hour.

Big skies, far horizons

I adjust to the tranquil landscape, rolling for miles, which begins to change as the clear skies are filled with vast, billowing clouds of white and dove grey that hover over the close cropped cornfields like duvets fallen on to a bedroom carpet. Reminds me of summers in Brittany or East Anglia. Trundle through a pretty little town, full of the archetypal wooden houses, each with its stoop, the tall pointy grain barns and a pretty church of decorative red brick with crisp white detailing. The town is called Norway, prettier both in name and style than the next one - Mechanicsville.

Latest update on arrival in Chicago looks a little cheerier. The pilot (needed to get us over the bridge over the Mississipi) seems to think once we are across, it will take two hours to reach the Windy City. Which means that we are only one and a half hours behind schedule. But yet again, the train is crawling through a vast industrial site, surrounded by freight trains, then emerging into a suburban area where we stop for a long time. It seems that when it comes to railways, freight is king and nobody cares a toss about fare paying passengers. Or alternatively, Amtrack won't pay the fee to get precedence over the river. A revised arrival time gives a four hour delay. No wonder so many American friends thought we were mad to choose this form of transport. Decide against lunch in the dining car - conscious of little real exercise over the past two weeks.

Then at last, and for no apparent reason, the train moves forward to cross the muddy, sluggish waters of the mighty Mississippi and a series of its tributaries. The bridge is a single track rail bridge made of ageing Meccano. There is a new one currently under construction just a few yards away. May it progress rapidly. The train picks up speed and we head for Chicago, the clouds getting fatter and already dropping rain to the west. Last lap - looking forward to a shower bigger than a sports locker and a stationary bed.



Chicago, Illinois

As the train waits on the western approaches to Chicago Union Railway Station, the tension amongst passengers anxious to make onward connections rises higher. The train is now nearly three hours late, albeit better than the worse case scenario of four hours delay predicted by the conductor, but scant comfort to those trying to get beyond Chicago on trains that only run three times a week. Like the Amish Gentleman we had seen at the beginning of the trip, travelling with his neat bonneted wife, muscular ginger bearded son and teenage grandson with collarless grey shirt, black waistcoat and pudding basin haircut. Amish Gentleman is near us by the luggage hold when Bob cheerily announces that the train will arrive in time to catch the connection to Cincinnati. He beams from ear to ear, does a little jig with his hands in the air and cries "whoopee, whoopee" before skipping off to spread the news to his family.

The pilot arrives to guide the train into the correct platform - an interesting concept - and we finally arrive in Chicago. The redoubtable Bob organises us a Red Cap driver, who establishes us on her golf cart, ejects the vast luggage put in there by a traditionally built couple who are not on her list, replaces it with ours and then hurtles down the interminable platform, within inches of the edge, hooting at pedestrians all the way. Are we pleased with this service! More than compensates for my momentary disappointment that the Chicago Station is not the palace of a structure with its sweeping marble staircase immortalised by Kevin Costner, the tumbling perambulator and the mafiosi in The Untouchables.

Friends are waiting at the barrier to greet us. They embrace us warmly, seize our luggage, bundle us into two taxis and whisked us through torrential rain to the our hotel. After a good hot shower, we celebrate the two thirds stage of our journey with good food and drink. Then a wonderful night's sleep in large, non-moving beds.

The journey (day 3)

Friday 5 November

City delights

Determined to make the most of a day in Chicago, I take my long wished for Architectural Foundation riverboat trip to see the wondrous buildings of the Windy City. I walk two blocks to cross the Chicago River via the impressive Michigan Avenue double decked bascule bridge, restored to its original ornate, balustraded glory in 2009 and renamed the DuSable Bridge just a few weeks earlier to honour Jean Baptiste DuSable, the first non-native settler in Chicago. Stopping to admire the impressive sculptures and memorial plaques, my eye was caught by one honouring the explorers and settlers which was donated by The Illinois Society of the Colonial Dames of America. Constructive Women pop up everywhere!

Then down the steps to the pier to board the Chicago First Lady riverboat for 90 minutes of pure delight for this self-confessed compulsive builder. Manage to keep reasonably warm in the arctic wind, thanks to layering most of my wardrobe under a light waterproof mac with hood. After 40 minutes, to ensure that I stay on the open top deck throughout to hear the informed, entertaining and wonderfully professional docent, I treat myself to a black coffee laced with Courvoisier expertly served by Nick in the well equipped downstairs bar which offers a range of enhanced beverages from Irish Coffee with Baileys to hot chocolate with rum. A must-do trip.

Then spend three hours at the beautiful Beaux Arts building that houses the Art Institute of Chicago. Redoubtable US ladies are in evidence here too, as I climb the 188 marble steps of the Womens' Board Grand Staircase constructed in 1910 that sweeps impressively up to the French Impressionists. However, I sidestep the Europeans and head for the American wonders of Winslow Homer, Edward Hopper, Georgia O'Keefe, Whistler and Singer Sargeant -and of course the magnificent bronzes of Frederic Remington. Then a quick look at the wonderful ballroom created from elements rescued from the Chicago Stock Exchange Building that was disgracefully demolished thirty years ago – style is Pugin on speed. Verdict? I would rather spend a weekend in Chicago than New York.

Back to pack bags for the final leg to Washington and organise a cab to get through an appalling Friday evening traffic jam to the railway station. Here we find more benefits of booking a sleeper. We do not have to stand in the long line that snakes around the barrier, but are whisked off again by a Red Cap, deposited at the correct coach door where the cabin steward Manny welcomes us and stows our bags. A good meal in the dining car, served by entertaining and efficient staff, and return to our cabin to find beds made up and clean towels laid ready. The train is travelling at a good speed, on what seem to be pretty smooth tracks, so fingers crossed for a good night's sleep and a reasonable schedule.

The journey (day 4)

Saturday: 6 November

Pittsburgh, Pennsylvania

Wake in the dark to hear Manny tapping on the next door cabin to say that we are coming into Pittsburgh. I switch on the bright pink bendy book light I bought at Barnes & Noble and check the train schedule. Umm, we have arrived in Pittsburgh at 6.30, instead of 5.05. Let's hope the delay does not get greater. I doze for a little while longer, then decide to get up when they announce breakfast in the dining car. Get dressed and splash my face with water and set off for grapefruit and speciality Railroad French Toast. Then on to the observation car.

The countryside could be English. Steep valleys full of beech, sycamore and maple, their slim bare trunks stretching straight above thick carpets of russet leaves. In the pale grey morning light, the valley looks full of soft smoke, the remaining leaves flickering orange and crimson amongst the branches. The pewter river flows swiftly, breaking into white ruffles around grey granite rocks. Very calm and peaceful. Then a cluster of houses appear and the countryside becomes unmistakeably American. Wooden houses and stoops, mostly painted brown, soft blue or green rather than the crisp white we saw on the plains of Iowa.

A large pale dog sits grinning outside a smoke shack, the thick white clouds billowing up into the chill air. Small boats lie next to pick up trucks. A little further on, a large cluster of houses tumbles down the hillside. Old mining town, says one of the passengers to his neighbour. Right on cue, an interminable line of freight cars appears, filled to the brim with coal. It takes five minutes to pass them - glad the freight wagons are a) stationary and b)not in front of us, or that 90 minute delay could stretch longer.

The river widens in places, sometimes dividing around tumbled rock and shale, sedge and reeds waving drunkenly above the flow. Every now and then a house or two appears amongst the trees that grow down to the bank, one with a children's swing and slide, another with a swinging garden seat sporting a red and white striped sunshade perched rakishly on one side. We pass through a town, with a number of brick houses amongst the clapboard ones, a pretty white and grey church, playground and train sidings. No indication of its name.

Five states to go....

The lovely waitress (who serves with a smile and even a musical ta, ra, ta ra flourish when she is particularly pleased with the quality of the food) is delighted to produce coffee and french toast with syrup. Over breakfast I muse about the towns we passed during the night. Some three hours after leaving Chicago we crossed the state line from Illinois into Indiana, stopping briefly at South Bend to pick up a cluster of people on the platform. The town began as a fur trading post in 1820, the legendary Studebaker company started there as a wagon shop in 1853 and cabinets for Singer sewing machines were manufactured between 1868 and 1954. It was also the place of the last bank robbery carried out by the Dillinger gang.

Around midnight there was a longer stop at Toledo, picking up a couple of passengers and giving a smokers' break on the chilly platform. At some time in the small hours I recall seeing a family waiting perilously close to the train track (seemed to be no platform to speak of). Perhaps it was Elyria, or maybe Alliance and I had slept through the stop at Cleveland.....

The countryside continues pretty well unchanged, and as the only available comfortable swivel seats in the observation car are on the non-view side, we decide to return to our cabin. As Manny has been invisible for the past three hours, I ask another steward to track him down and let him know that we would like the bunks folded back. It seems that we do not need to plead broken wrist to request this, it is part of the first class sleeper service.

As the train switches between Maryland and West Virginia, my ears prick up at the announcement that we are coming to Harpers Ferry. This historic town, at the confluence of the Potomac and Shenandoah rivers and where the states of Maryland,Virginia and West Virginia meet, was the scene of the infamous raid by John Brown on the Federal Armoury which was a catalyst for the American Civil War and the scene of many bloody battles during it. Harpers Ferry then became a fashionable resort, with up to 28 trains a day bringing holiday makers and wedding parties, but a combination of the Depression, devastating floods and re-routing of roads caused the town's terminal decline and it now has a population of around 300 people.

It is the last stage of our journey and encouragingly, the delay is not as bad as feared, we are going to be a mere 90 minutes late rather than the two to three hours forecast the previous evening. Amtrak conductors must have a policy of painting a gloomy picture, so that the reality can be cause for celebration. A swift telephone call with the revised arrival information and then we pack away our belongings and await arrival. As the train slows down to trundle sedately through the capital's residential suburbs, Manny calls to collect our cabin bags to put downstairs with our hold luggage. There had been a somewhat heated exchange with him earlier about reserving a specific Red Cap cart service for us, following the successful experience at Chicago. We were not to worry, he said, there are always Red Caps. But we wanted certainty, not vague assurances.

Washington DC

Manny rises to the occasion on arrival into Washington Union Railway Station. Commandeering the first Red Cap cart, he ensures that we are safely installed on it with our suitcases, rucksacks, wicker hamper and 2ft wide firm wedge pillow. We career down the platform, duck down into the basement of the station, cross a set of tracks, wriggle through gaps that look impossibly narrow and then pop up on to the general concourse outside the imposing entrance, just where the car sweeps in to collect us. Fifteen minutes later, we cross the threshold of the apartment with big smiles on our faces - home, safe and sound!



All photographs by Rhys Jones except for:
Kate Shelley Bridge (Wikipedia), Michigan Avenue/ DuSable Bridge Chicago (courtesy Gotheguide.com), Chicago skyline from the river (Chicago Tourist Board)