Nearly a thousand years ago, high on the
Apennine ridge that separates the Tuscan provinces of Lucca and Modena, a
hospice was established at the little village of San Pellegrino in Alpe to give
shelter and sustenance to travellers on the difficult and dangerous road across
the mountains, a route known from pre-Roman times. Today the hospice is a museum of rural life and the village
trattoria and bars provide shelter and sustenance for the hikers, bikers and
skiers who flock to the area, including us (part of our holiday regime is a
daily 90 minute walk).
A rake for gathering myrtles |
A striking aspect of the
collection is the use of wood, particularly a huge wine vat hewn from a single
chestnut trunk, pasta presses, spinning wheels and what looked like giant combs
for Afro hairstyles but which were used by villagers to gather wild myrtles (bilberries).
Emerging from the museum along the old mule track we stop at a large sign showing the original map of the hospice round 1110, and which tells us that in the Middle Ages the road travelling through San Pellegrino became a ‘great communicating artery between the north and south of the pensinsular, and along which Matilde di Canossa wielded her power over the Tuscan territories.’ Who was Matilda of Canossa, I wonder, making a note to consult Google on return to the house.
Emerging from the museum along the old mule track we stop at a large sign showing the original map of the hospice round 1110, and which tells us that in the Middle Ages the road travelling through San Pellegrino became a ‘great communicating artery between the north and south of the pensinsular, and along which Matilde di Canossa wielded her power over the Tuscan territories.’ Who was Matilda of Canossa, I wonder, making a note to consult Google on return to the house.
Then off we stride through the sun-dappled
beech woods, which open into lush alpine meadows filled with flowers and thick
carpets of those myrtle berries, still providing rich harvests of vitamin C. More
surprisingly there are also swathes of sweet and juicy wild raspberries as far as the eye can
see, and promise of a rich harvest of blackberries too.
Giro del diavolo |
We stick to our own ritual - never returning on the same route - and make our way down the mountain on another track, emerging into the village by a shop selling chestnut flour biscuits, dried mushrooms and, irrestistibly, punnets of freshly gathered myrtle berries. We also succumb to cold beer and a plate of bruschetta. Next to the trattoria is a shop selling foraging equipment on an impressive scale, including myrtle berry rakes, but unlike the beautiful hand carved wooden ones saved by Don Luigi Pellegrini, these efficient and rather grim tools are factory punched out of aluminimium.
Matilda of Canossa, 1046-1115 |
Educated and cultured (she could speak several languages) she was also skilled in military arts, successfully fighting a number of battles. She was a key player in the dramatic struggle between Church and State, known as the Investiture Controversy. She had two politically chosen husbands, first her step brother Godfrey the Hunchbacked, and then at the age of 43 she married the 17 year old Welf V of Bavaria - a union that lasted only six years.
But her real love, which was consummated according to some scholars, was for Pope Gregory VII. During one of the most famous and episodes in the war between Church and State, Henry IV travelled across the Alps in a bitter winter of 1077 to do penance before the Pope Gregory at Matilda's fortress at Canossa - where he was made to wait three days in the snow before being admitted. Henry never recovered his influence in Italy after this humiliating defeat.
The Investiture Controversy diminished after the death of Pope Gregory and Matilda turned to governing her territories, donating lands to churches and monasteries, supporting building projects (including the beautiful Ponte della Maddalena bridge across the River Serchio, which we pass often on our way to Lucca) and supporting the developing school of canon law at Bologna.
In 1635, some five hundred years after her death, her remains were removed from the cathedral in Mantua to St Peter's Basilica in Rome (one of only five women to be interred there) and her tomb marked with a monument by the great Baroque sculptor, Bernini. I am sure that if the devil had met Matilda rather than St Pellegrino on that mountain top, he would have been the one sent round in a spin.
Matilda, The Countess of Tuscany. Bernini's sculpture in 1635) |